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Autobiographical Memor of
Gina Lollobrigida


from “The New York Time” by Cardee Morrison



"I wonder what children think about war. Having lived through World War II, I will never be able to forget those experiences. I lived with my parents and three sisters in the town of Subiaco, in central Italy, about 80 km east of Rome. Our house was a huge building, an old hotel that had been occupied by the Germans. When I heard the American bombing, I would always hide under the massive table where tree trunks were cut for my father’s furniture business."



Already at seven years old, Gina has clear and precise likes and dislikes: the kids she dislikes must dread her terrible tricks. She attends a teacher-training school with fairly good results, especially in gymnastics, music and drawing.



1947.

After the war, having lost their house under the bombings, the six members of the Lollobrigida family move to Rome, living all in one room. Being evacuees, they ate what they managed to scrape up. Gina was the privileged one of the family: she studied painting and sculpture at the art school. Her sisters Giuliana and Maria worked as usherettes in a cinema theatre to help her study.



1947.

Rome: Gina at art school, where she won a scholarship. She tried to complete her education despite constant offers of work in films.



1995.

Gina’s great aunt Chelidonia Lollobrigida, unquestionably the most prestigious representative of the family: the oldest woman in Italy and a real phenomenon. Up to four months before passing away, she was still lucid and witty. We can only hope that similar good fortune awaits Gina and grandson Dimitri, who here is fascinated by the burning candles.

1954.

A much discussed and publicized meeting between Gina and Marilyn in New York. Gina got to know Marilyn better a few years later in Hollywood. She found her a very sensitive and vulnerable woman and was very fond of her. Headlines from American newspapers of the period: “No Boxing Match Between Blonde and Brunette Bombshells”, “Lollo’s Diplomacy Confused Americans”, “New York Crazy About Gina. Bogart Prefers Gina to Marilyn”. An article in the edition of “Time” with the Italian actress on the cover, quoted Humphrey Bogart saying that Gina Lollobrigida made Marilyn Monroe look like Shirley Temple. After a visit to the White House, where Gina was received by President Eisenhower, the US dailies went right overboard: “Anti-H Bomb Hits New York”, “Ike and Lollo. Eisenhower to Lollobrigida: delighted to see Italy in such good shape!”.

1954.

Paris: Marlene Dietrich visiting her friend Gina during rehearsals for the Red Cross Show held every year in Monte Carlo. Dietrich had been the star the year before and very kindly gave Gina, who was suffering a little from stage fright, some friendly artistic advice. Despite the moment of panic, the actress set a new box office record at the Sporting Club in Monte Carlo, where she was presented to the public by Martin Carol and Kirk Douglas.

1955.

With her lyrical soprano voice, Gina sang in charity concerts. In the film Beautiful but Dangerous, where she played the part of Lina Cavalieri, she
sang the famous aria Vissi d’Arte from Puccini’s Tosca with the Orchestra of the Rome Opera.

1956.

Gina and Maria Callas on a trip in the yacht of Aristotle Onassis. Maria was enthusiastic about Gina’s voice and urged her to embark on a career as an opera singer. Gina was somewhat reluctant because this would have meant giving up all her other artistic activities, which she had no wish to abandon.

The Painters and Gina



1955.

In response to an idea put forward by Walter Pozzi, thirty-five painters from a whole range of different schools, asked Gina to pose for them in Milan for four days, morning and afternoon. Gina agreed but was somewhat selfconscious about being analyzed in detail by so many eyes. Bruno Cassinari, Dadi Orsi, Aligi Sassu, Mario Marinelli, Silvio Consadori, Bettina Tea, Barbieri, Cartolani, Guido Tallone, Ajmone, Dova, Frassati, Giampaolo Ravazzi, Parmeggiani, Veronesi, Carpi, Cinci, Mondaini, Ghiglia, Vittore, Bartolini, Bracchi, Dal Forno and Freccia were among the painters invoved. As we can see, there were a great many different schools represented including naturalism, impressionism, the 19th-century style, and even abstract art. Gina still owns the portraits produced by Dova, Ghiglia, Mondaini, Barbieri and Tallone.

1960.

Moscow: Ilja Glazunov toasts with Gina after the first charcoal portrait produced in his home.


1963.

Rome: Gina Lollobrigida posing for the Soviet painter Ilja Glazunov. Gina, who was already very famous at the time, helped Glazunov at the beginning of his difficult career and they became friends. Forty years later, their friendship is stronger than ever.

The Meeting with Manzù



1966.

Gina posing for Giacomo Manzù. The work was never to leave the master’s studio because he destroyed it before completing the hands. Gina had been prevented from returning to pose by work pressure and Manzù took it very badly indeed.


1976.

Rome. Gina shows him the clay head of her son Milko Jr., aged seven months. Giacomo Manzù, who was not one to stand on ceremony, found her work very interesting. He later encouraged her to go on with her work as a sculptress and to satisfy her love of art.


1978.

Twelve years later Manzù was still interested in portraying Gina. The result was a new life-size sculpture, one of the master’s last works before his illness and death. Watching him at work, Gina was fascinated and disturbed. She felt a change in herself, an irresistible desire to devote herself entirely once again to sculpture, the first love she had repressed and abandoned for so long. Thanks to Manzù, her strongest artistic impulse had since found fulfillment. Her life changed once again, now being centered mainly on Pietrasanta, where Gina produces her works, first in clay, then in plaster, and finally in bronze or marble.

1953.

London: Gina poses for the great sculptor Epstein.



1967.

Gina posing for de Chirico in his studio by the Spanish Steps in Rome.



1972.

Gina photographing Lenin’s studio in Moscow. As a journalist and photographer, she has visited Russia, United States, Cuba, Japan, Australia, South Africa, Iran, Iraq, China, India
and many other countries
in the space of just
a few years.



1973.

Benares, India: though asked not to give alms, on returning to the car at the end of the day, Gina just couldn’t resist! A group of lepers drew close encouraged by her gesture.



1974.

Cuba: Gina was invited on a twelve-day visit by Fidel Castro and made her first documentary about this mysterious figure. The photographic service was published by “Time” magazine.



1976.

Philippines: Good Friday in Manila.



1976.

Kimberly, South Africa. The first and largest gold mine discovered in South Africa, at more than 2000 meters underground.

Gina awarded the Gold Medal
by the Paris City Council


1980.

In accordance with a motion passed by the City Council, the Mayor of Paris Jacques Chirac awarded Gina Lollobrigida the Médaille de Vermeil de la Cité de Paris for the photographic exhibition held by the actress at the Musée Carnavalet within the framework of the “photography month” organized by the Council together with Paris Audiovisuel. The citation stressed “her courageous aesthetic challenge and the deeply human content of her work”. Even the critics, so often prejudiced against actresses embarking on a new profession, were greatly impressed by the images captured by “la Lollo”. As the authoritative “Le Monde” observed, Gina “has the eye of a Cartier Bresson. She is talented and full of energy, and her photographs make an overwhelming impact. She is truly a great artist”.

1985.

In Paris Gina is decorated by the French Minister of Culture, Jacques Lang, “Officier des Arts et des Lettres” for her merits as an artist.

Awarded the Legion of Honor from
President Mitterrand


1992.

After complimenting Gina on her sculpture, French President François Mitterrand, awarded her the Legion of Honor for artistic merit, describing her as an “artiste de valeur”.

Republic of San Marino The Best-Selling
Stamp of 1996


Gina Lollobrigida designed this stamp selected for the annual European issue of the Republic of San Marino on the theme of famous women. The San Marino Department of Philately and Numismatics decided to have one famous woman portrayed by another equally famous. So it was that Gina Lollobrigida produced a portrait of Mother Teresa of Calcutta, issued on 22nd March 1996 as a 750 lire stamp, sales of which broke all records for that year. This stamp was also awarded the Saint Gabriel’s Prize for Religious Philately. Gina donated her fee for this work to Mother Teresa’s humanitarian organizations.



1996.

France Soir”. Lollobrigida, Mother Teresa: the Same Battle. Gina Lollobrigida took Mother Teresa by the hand and they both appeared before the cameras of Italian television to make an appeal for the disinherited of the world.
This moving image shows the two women united in their efforts for this universal cause during their appearance on the small screen. The actress and the winner of the Nobel Peace Prize found words that went straight to the heart and awakened
the conscience. The goal of their commitment is summed up in the title of the program, “A Sign for Life”..

Gina Lollobrigida Honorary Member of the
Florence Academy of Arts


1999.

Gina Lollobrigida has been nominated “Accademica d’Onore” in the category of Humanistic Subject and Science by the “Accademia delle Arti del Disegno”, Florence. Gina Lollobrigida has provided, during her long career, significant and original contributions to the cinematographic art, dedicating her life and talent to the prestige of Italian cinematography, representing it honourably in Italy and in the rest of the world.

Ambasciatrice della FAO (Food and Agriculture Organization of the United Nations)


1999.

Rome. In the great hall where the World Food Day is celebrated every year, Gina thanks all the delegates after being appointed Goodwill Ambassadress of the FAO, the food and agriculture organization of the United Nations.



2006.

Jacques Diouf, Carla Fracci and other personalities applaud an excited Gina Lollobrigida donating her first sculpture The World for Children, 2,35 meters tall and representing world hunger, to the FAO of which she is ambassadress.

Dedications


2002.

Iesolo. Over 500,000 people showed up to applaud and celebrate her during an important event on the Venetian beach where a two-kilometer stretch of seafront was named “Gina Lollobrigida, Italian artist”.

2003.

Subiaco. The inauguration of a marble plaque to mark the birthplace of Gina Lollobrigida for posterity. A long flight of steps with a deep red carpet leads up to the now historic building and a bow of pink tulle marks the window of her bedroom. “I am particularly delighted and honored to be present at this event, something that normally takes place... after”, was Gina’s witty observation.

2007.

Town Council of Pietrasanta. City of Art – Noble City since 1841. The Mayor, passing the Town Council resolution N° 82 of November 30th, 2007, awards “The Honorary Citizenshipto Gina Lollobrigida, for having contributed to promote throughout the world the city of Pietrasanta as center of the arts.

Gina on stamps: one of the few real awards


2007.

The first in Italy and in the world to receive four stamps of the Philately Issue of the Republic of San Marino. “I’m happily touched because with the issue of these stamps, the Republic of San Marino recognizes the value of the work produced throughout my life, entirely dedicated to art”.

Seville Expo. Gina’s First Exhibition


1992.

Her debut as a sculptor came in Seville with a bronze of Living Together, a child riding an eagle. She was the most photographed of all the Italians at the opening of the Expo. Moreover, it was the most wonderful day of Gina Lollobrigida’s life, as President Mitterrand congratulated her on her work and awarded her the Legion d’Honneur for her artistic merits. Italy abroad still means Gina Lollobrigida. She was the most photographed, the most in demand, the most acclaimed, and perhaps, in her vulnerability, the most human with her eagle and child exhibited alongside a Ferrari and Moser’s bicycle.

Gina debutta a Mosca al Museo delle Arti
Figurative A.S. Puškin


2003.

After the exhibition at the Pushkin Museum, she’ll live for the art.
A few weeks after the opening of Gina Lollobrigida’s sculpture exhibition at the Moscow Museum of Figurative Arts A.S. Pushkin, the flow of visitors continues unceasingly, visitors who fondly thank the Italian artist: “In front of such beauty, life starts to smile to you again”, writes a female visitor in the guest book, and more so: “Her sculptures captivate me. Above all La Primavera, writes the seven-year-old Katya. The director of the museum, Irina Antonova, was positively impressed by the enthusiasm and fervor with which both the public and the critics have welcomed Gina Lollobrigida’s works. It’s been a long time since the Italian Hall of the Museum of Figurative Arts hadn’t seen such a crowd of journalists. The press conference, held on the eve of the varnishing, was hosted by one of the worldwide legends of cinema. Four thousand visitors a day have admired the works of the artist and during the weekends the numbers would rise to six thousand! This success has deeply touched the artist who wasn’t expecting so much.

Gina Lollobrigida’s visit to Moscow ended with a meeting with Vladimir Putin in his residence of Novo Ogarevo. During the meeting, president Putin, relating to the sculpture, The World for Children, has also praised Ms Lollobrigida’s efforts in her capacity as FAO Ambassador, emphasizing how this activity can be of great example to others and how the beauty, that emanates from her works, is a source of inspiration for life.

Gina at the Musée de la Monnaie of Paris


2003.

Paris. Gina enters one of the most prestigious museums: the Musée de la Monnaie. An unexpected success, the exhibition was extended until January 2004.
The monumental sculpture The World for Children is ready to be set up in the entry hall of the Museum.

Gina is awarded the most important international decoration for an artist: Commandeur de l’Ordre des Arts et des Lettres from French Minister of Culture, Jean-Jacques Aillaigon.